镜像与凝视独行月球中女性人物的对抗性凝视在釜山行影评中的社会反思

《独行月球》是一部描绘了两位宇航员在孤立无援的月球上生存奋斗的科幻电影。从传统角度来看，这部电影似乎只关注了男性的英雄主义精神，而忽略了女性角色。但实际上，《独行月球》通过女主角马兰星的一系列行为，展现了一种新的女性形象——一种能够独立思考、勇敢行动和自我成长的现代女性。

首先，马兰星不仅仅是一个被动接受救赎的人物，她还成为故事进程中的主体辅助体。在剧情关键时刻，她提供技术支持帮助男主角重返地球，同时她也在情感上打开男主角心扉，让他变得更加勇敢。这一转变打破了传统英雄叙事中单一客体功能对女性人物的塑造，为她们赋予更多剧作功能，使她们不再只是被动接受男性救赎，而是具有自己的行动力和决策能力。

其次，《独行月球》展示了一种从“他者凝视”到“她者凝视”的转变。在拉康心理学中，“他者凝视”指的是一个观察者对另一个人的观看，同时这个被观看的人也是一个观察者的对象。这种互动形成了凝视与反凝视的共生状态。而《独行月球》则将这种关系颠倒过来，将焦点放在了女性角色身上，他们不再是被动接受男性观看，而是积极地进行着自己的选择和行动。

最后，这部电影也反映出现代社会对于女性角色重新审美的一种趋势。在中国近年来的文化发展下，对于性别平等意识的提高，以及对于个人自由与独立生活方式追求日益增长，《独行月球》的呈现可以看作是在挑战传统叙事模式，提出了关于现代女性角色如何走出过去所受束缚，并以更强大的姿态面向世界的问题。

总之，《独行月球》的成功之处在于它通过马兰星这一复杂多维度的人物塑造，展现了一种新的社会价值观，即 females can be strong, independent and active agents in their own right. This is a significant departure from the traditional portrayal of women as passive objects of male desire and rescue. Through this film, we are able to see a new kind of heroism that is not just about physical strength or bravery but also about intelligence, determination and resilience.

In conclusion, The Mirror and Gaze: Female Characters' "Counter-Gaze" in Solo Moon Mission reflects on the social implications of the film's portrayal of female characters within the context of contemporary society. It highlights how modern Chinese cinema has evolved to depict women as more than just passive objects of male desire, but rather as active subjects with agency and autonomy. This shift in representation signals a growing awareness of gender equality and an increasing emphasis on individual freedom and independence in contemporary China.

The film's use of counter-gaze theory provides a framework for understanding how female characters are no longer confined to being mere spectators or recipients of male gaze but instead become active participants who challenge dominant narratives. By examining the ways in which Solo Moon Mission subverts traditional gender roles through its portrayal